Jonathan Haidt and time well spent.

At the end of October, the Institute for Humane Studies posted a video of a talk that had recently been given at the University of Colorado in Colorado Springs. The speaker was Professor Jonathan Haidt. The talk is entitled The Coddling of the American Mind, which just happens to be the title of a book that he co-wrote with Greg Lunianoff.

This talk is nearly an hour and a quarter long. If you regard that as bad news, then the good news is that watching it is time well spent.

Haidt presents himself as a reasonable, warm, friendly, winsome person. Cynic that I am, and one that previously was not familiar with him, when his talk starts sailing into water that has recently become controversial to the extent of generating riots, I wonder whether this is a persona that he projects in order more safely to navigate this perilous course. I go off and explore his other speeches and interviews, and return a verdict of Not Guilty.

This is not a persona, but the real Haidt, and the perilous course takes him face-to-face with what has colloquially been termed the Snowflake Culture – i.e. university Safe Spaces, etc.

Gratifyingly, however, he does not so much confront it as strive to understand it. That essentially is the genius of this talk. He explores its origins, its ethos, making us his audience almost empathise, before he explains why it is profoundly and dangerously wrong.

The talk has more visuals than I would like. The editors of this video cut away from the slides enough to prevent Haidt becoming for us a voice-over for a picture show; but the audience in the hall does not have that privilege. My rule with visuals is simply stated: include it only if the argument would be significantly impoverished without it. I venture that there are some slides here that fail that test.

In striving to help us understand various details, Haidt supplies a great deal of survey data which are displayed for us in the form of various graphics. I have absolutely no quarrel with this talk being data-rich. Speakers who address controversies without showing their workings are suspect, and graphics convey such workings very effectively. However, it’s almost as if including an abundance of slides generates its own momentum and that the slides that are necessary and desirable somehow give birth to others that are less so.

How often have I observed in this blog that the better the speaker the pickier I get? The previous two paragraphs are a good example of my becoming hyper-picky, because Jonathan Haidt shows here that he is nothing short of an exemplary speaker. It’s not just the delivery which is superb, but his argument is flawlessly structured also.

I think I may read the book.

Ali G: da Harvard Massive

On June 9, 2004, Harvard’s Class Day Ceremonies received a speech from Ali G.

This could be different.

There’s a very well established showbiz principle that a performer can push the boundaries of acceptability much further if it is perceived that the material is said or done by someone else. Ventriloquists have known this forever and have long delivered, with impunity, outrageous material via their dolls.

Rod Hull was an English comedian who made a good living, routinely submitting people – mainly chat show hosts – to serious physical assault on live Television. He did it by carrying an Emu puppet which viciously did the attacking. YouTube has several videos of it. If he’d done it without the puppet he’d have been arrested.

Some performers exploit exactly the same principle by – so to speak – climbing inside their dolls. For instance I think it’s fair to say that Dame Edna Everage and Sir Les Patterson use material that Barry Humphries could not for himself get past the lawyers. More significantly, for a student of audiences like me, I don’t think Barry Humphries would get the laughs with that particular material either.

Here is that process by Sacha Baron Cohen. Before we consider how funny it is my immediate interest is in the quality of the performance. The characterisation is total, as it is/was with his other characters like Borat and Bruno. It seems to amount almost to self-hypnosis, and makes me suspect that if a crazed lunatic broke out of the audience and attacked him he would defend himself in character.

Is it funny? This is a time capsule, performed fifteen years ago, and it’s interesting to consider how it stands up. It’s fascinating how much parents and university staff of that time are seen to enjoy the show. I was already a bit old for Ali G’s stuff when it was new so I surprised myself here by laughing out loud a couple of times. Riding on that ventriloquist principle he was the height of dangerous edginess at the time, and I’m a sucker for edge and danger in humour, but today’s students are reputed to be very different.

Live and let live: they’re entitled to their tastes so long as they leave me out of it. I believe there’s an adjective – Woke – about which I know very little and couldn’t be bothered to learn because it doesn’t concern me and everything I hear on the subject seems vacuous and bores me rigid; but don’t today’s students get exercised by something they call cultural appropriation? Wouldn’t most of a student audience today need PTSD counselling after a show like this?

I wonder what Sacha Baron Cohen is doing these days.