On 16 November the University of Wisconsin-Madison live-streamed a talk by conservative commentator, Ben Shapiro. He was invited by Young Americans for Freedom.
We have previously in this blog come across the issue of students agitating to ‘no-platform’ speakers. Shapiro is no stranger to this authoritarianism, having been banned by DePaul, and at California State University, Los Angeles, needed protection from a police escort. The inflammatory topic that caused such uproar was Free Speech on Campus.
Here he begins at 4:13, and ends at around 58:30.
Why is he reading a script?
Actually I already know the answer. He sincerely believes that it is a requirement. He is not alone, but he is profoundly wrong. No one needs a script: I have proved it countless times. Watch him during the Q&A after the talk, and you’ll see how good he can be.
It’s a fairly amusing opening. He pokes fun at so-called Social Justice Warriors. I have heard that first minute just twice and could already shoot it from the hip. So could you. So could he. But he doesn’t: he reads most of it. And it’s the moments that he permits himself to shoot little asides from the hip that cause his effectiveness momentarily to lift. You get to see for a couple of seconds how much better this speech would have been if he had learnt how to throw away the paper, and (at least as importantly) been shown how easily he could.
A very short time into his lecture, the protests begin. Repeated shouts of “shame” and “safety” try to drown him out. At this point he shows that he has an arsenal of pre-prepared put-downs to deploy. They are quite good, and have the side-benefit of getting him away from that bloody paper.
Once they have subsided (temporarily, it turns out) he returns to reading his script; and immediately the guts of his performance haemorrage out. It’s actually good stuff, but crippled – gelded! – by being read aloud rather than spoken.
Within a minute or two the moronic shouting begins again. A girl in the middle of the auditorium rises to her feet and berates the protesters. She delivers a beautifully eloquent piece of ad-lib that can be paraphrased as “Shut the … [front door] … and let us listen to the man!” Her interjection earns her a standing ovation, and shortly afterwards we return to listening to Shapiro reading his good stuff for a few more minutes.
It soon becomes apparent that the protesters are positioned in the side aisles and along the back. They begin to process down towards the stage, line up in front of it, and chant their imbecilic slogans. The audience responds by counter-chanting.
What is sad is that this trend appears to have become ubiquitous in US academe, and is spilling across the Atlantic. What is even sadder is that it comes from above. The evidence suggests that teachers are feeding this nonsense, and that they got it from their teachers.
At the beginning of last year I covered a brilliant talk by Hans Rosling in which he exposes a series of widely-held misconceptions about the world – misconceptions that are exploded by real data. Although he treats the subject lightly it is clear that these lies colour people’s political views, which is serious. At one point he almost throws away (blink and you’ll miss it) the observation that people cleave to nonsenses that can be dated fairly precisely from the period that their teachers were born. Therefore it’s at least two generations of apostolic succession since this stuff was planted.
I remember when students rebelled. Students are supposed to rebel! Student rebellion has today almost died. They are reduced to parroting poison from their pedagogues, which they parrot from theirs. And the poison is political correctness, and at the root of political correctness is the rule that dissent must be silenced at all costs. That is why they hate free speech.
There is a growing movement to push back. Ben Shapiro is part of that movement. If he would only learn that speaking and writing are not the same thing, and learn to do the former properly, he’d be a lot more effective. Freed from the tyranny of that bloody paper, he’d be as good as he is during the Q&A that begins at the one hour point.