BLM and The Knee

I read the other day that someone working for Sky had declared that those critical of ‘taking the knee’ were subhuman. There, I thought, was a prime example of idle hyperbole at best, and crass idiocy at worst. After all there are plenty of ways of displaying your opposition to racism, but taking the knee specifically pays homage to BLM, in the same way as a Hitler salute does to Nazism; and from what I have understood BLM is not the cosiest of clubs. Therefore I leapt at the chance to learn more when I saw that Hillsdale College had in October 2020 hosted a panel discussion entitled The BLM Movement and Civil Rights. I thought this would be a bit of a ‘blog holiday’ for me, not teaching just learning.

I was wrong. If you are a regular reader you will know my obsession with paperless speaking – no script, no notes – and the three panellists in order of speaking went from Paper Prisoner, via occasional glancer, to shooting from the hip, thus offering three stark examples of my case. Furthermore I couldn’t resist other interesting observations concerning their speaking style.

The panelists were Arthur Milikh, Wilfred Reilly, and Robert Woodson. The chairman is Michael Anton.

Of the four names above, Michael Anton is the only one whom I have denied a cyber link to learn about him. That is because he spends the first minute telling us all about himself. I briefly wonder whether he is inordinately nervous or a stammer sufferer who has almost conquered it. I decide upon the latter, which is admirable (it’s a difficult task). He conveys a lovely nature when introducing the others, reading the supplied resumé material but always raising his eyes to add his own personal twist. He’s good.

Arthur Milikh starts at 2:30, and we quickly learn two things. He really knows his stuff and will supply us with a wealth of deeply researched information, but we will have to work harder to absorb it because his audience engagement is lamentable. The reason for that is that damn paper that holds him prisoner. He can obviously communicate well through the written word but he has no idea how to convey it orally. At 9:15 he breaks out of the prison and addresses the audience freestyle, and for half a minute we see how he could be if he threw away his script. For me this is frustrating because I know how easily he’d do that with proper guidance, and how liberating he would find it.

That example is not ideal because it has to cope with transitions from reading to speaking and back again. We see it more clearly during Q&A when he fields a question that begins at 54:55, and thereafter all his speaking is perforce spontaneous and immeasurably better for it. 

For all that, this opening talk is hugely informative. There is a very revealing section that arrives around 13:40 on the theme of the appeasement of the corporate elites, and how BLM engineers it.  Milikh sets us up well for what is to follow.

Wilfred Reilly, talking about ‘Inner-city Crime and the Police’,begins at 19:42, and intrigues me. There is a nuance to his delivery that keeps me constantly wondering whether he is ever being altogether serious. His light touch seems to belie the seriousness of the topic, but he always stays just the right side of acceptability. His face at rest seems to be constantly slightly smiling, which may be just the way it was built by his Maker, though the preposterous beard – which somehow manages to be charming – is his own construction. He does ambush us with occasional flippant comments, excellently timed, and he sometimes protests that he doesn’t want to be glib but…

The glibness is interesting, because when it appears the humour comes direct from his knack of distilling things to a minimal use of words  – e.g. – “My basic one-sentence take on policing is that it’s a good idea”. 

Then at around 33:30 his delivery subtly hardens till at 36:28 the blast of war blows in his ears, and he imitates the action of the tiger. His sentences get shorter as do the words and finally he is serious – except he isn’t. He rounds off the entire speech – which, in passing, is full of some horrendous facts – with a flourish which draws a huge laugh from the audience.

This is one skilled communicator.

Robert Woodson begins at 38:45. He was on this blog only a handful of weeks ago with a full-length speech. Here as there he shoots the whole thing from the hip and is magnificent.  He is such a wise man!

He finishes at 50:30 and receives a standing ovation.  Even his fellow speakers stand.

There follow about twenty minutes of question and answer, and I found that equally riveting.

Anyone, be they footballers, sports commentators, world champion racing drivers, police officers, leaders of Her Majesty’s Loyal Opposition, anyone who defends the taking of the knee – or, worse, attacks those who don’t – should watch this video and know the nature of the revolting movement to which they are paying abject homage. 

Roger Kimball liberated

In February, 2012 Hillsdale College hosted a conference called The Liberal Arts and Education Today. It included a lecture from Roger Kimball.

Kimball was one of the first speakers I featured on this blog. I see it was in June 2013. I remember that, having read his book The Fortunes of Permanence I went looking for an example of his speaking. I now see that, for a title to that post I stole a phrase from Shakespeare’s As You Like It which was rather pretentious of me, though I can see why I did it. The phrase was full of wise saws and modern instances because Kimball was fond of quoting others. Is he still like that?

Yes he is; but I’ll come to that in a moment.

The introduction is ably provided by Madeleine Smith, who studies rhetoric. I mention that because she would not need to look up the word when I point out the parapraxis in her final sentence. It’s a Neil Armstrong moment.

Kimball begins at 1:30. He is reading a script.

More than almost anyone you ever heard of, Kimball is immersed in the written word. He reads it, writes, it edits it and publishes it. Little surprise then that his idea of speaking in public is to write an essay then stand and read it. Also, in fairness, there are far too many public speaking teachers who sincerely believe that to be a correct way to go about it. They are tragically misguided.

What he has beautifully written, and what he is reading, is fascinating and brilliantly learned. I would love to read it, but I am unhappy hearing and watching his doing it.

I feel I am watching a prisoner. The real Roger Kimball is somewhere in there, unable properly to reveal himself. It’s not that he reads without expression – quite the reverse: he reads superbly, but look at his hands. When they are not hidden behind his back they are permitted just fleetingly to rise, illustrate a shape and then disappear again. Or they grasp the sides of the lectern, and occasionally we partially see an extension of the fingers. All my instincts, my experience, and his fidgeting tell me that his personality and hands are dying to be really expressive, but they are incarcerated by the written word.

He still quotes other writers almost to excess – some might call it gnomic, but these aren’t cheap slogans. They are excellent observations that are relevant to what he is saying. This again would be lovely to read, but frustrating to hear because many are so profound that you want to pause and let them sink in before moving on. That is a luxury not available to a lecture audience.

His hidden personality almost escapes at 25:40 when he explosively utters the word “but”. For a short while thereafter his hands are almost liberated. Almost…

Do you want to see the Kimball personality set free? Then keep watching till the end of the lecture, and then stay with it. The questions begin at 38:30, and with his replies we see him speaking spontaneously. Within a couple of minutes his hands come up and begin gesturing eloquently and generously as his liberated personality takes flight.

By the way, this niche interest of mine is not the only reason to stay for the Q&A. Hillsdale students ask excellent questions and this section is really stimulating. His new spontaneity does cause a drop of perhaps 5% of the literary merit of what he utters, but the compensation is at least 40% increase in audience engagement, and that’s a pretty good trade.

So if Kimball were rash enough to seek my advice, how would I suggest he prepare a lecture? As an experiment I would tell him to leave his desk and go for a walk in the countryside; think up three really good probing questions concerning his topic and message; answer them aloud to the landscape and listen to himself. I think he’d like what he heard.