Klavan is no stranger to either Christmas or Hanukkah, being Jewish by birth and upbringing, and having converted and been baptised a Christian in recent years. He described the pain and reward of that journey in his remarkable book The Great Good Thing, one of the few books for which I have ever bothered to write a review on Amazon.
Here however he is speaking not so much about religion but about being members of a minority group, conservatives in a leftist community. He’s an expert: he lives in Hollywood.
In his podcasts Klavan shows himself to be highly adept both on camera and microphone, and his skill with the written word is legendary, but none of that guarantees that he can handle a live audience. Let’s see …
He’s good, very good, but then I knew that. I’ve seen his ebullience and huge personality being poured into a camera lens in his video podcasts. His delivery to a live audience is very nearly as good. You’ll have spotted that I pulled up short of the absolute superlative, and I will return to that in due course.
He has paper on that lectern, but essentially it’s there as a backstop. He really refers to it only when he is quoting others, which is a perfectly legitimate thing to do as you need not only to get the quote right but be seen to be doing so. The rest of the time he doesn’t need to follow his script because he has structured his material in a way that he (and we) can follow and remember.
Note how he has divided his message into chapters. Note how he then subdivides his chapters into smaller sections. Yes, the mystery of the ‘magic’ of speaking without notes comes down to details as simple as those. As so much of his hi-tec communication performances these days will depend upon AutoCue, I am pleased to see that he knows and still follows the strictures of horse-drawn public speaking.
Nevertheless there are subtle, almost indefinable, differences between speaking to an audience you can see and one you can’t. I’m referring to timing. For eight years I had a weekly radio programme, and then when I was speaking to live audiences I became conscious that I was occasionally mistiming things slightly.
Mistiming is most apparent when you are playing for a laugh. You don’t need to be an expert to know when you got it wrong. It’s when the market refuses to buy: the laugh doesn’t come. You get that information only with a live audience, but it can be a shock to the confidence because you begin to wonder whether you are getting it wrong also with the invisible audience on the radio whose response you can’t gauge.
For my part I find him flawlessly laugh-out-loud in his podcasts, though it took me a bit of time to tune in to his wavelength. On the other hand though he harvests some stunningly good laughs there are just a couple of moments here in this speech when the laugh gears don’t quite engage. He’s a pro so he covers it superbly; but if I were advising him I would urge him to speak to live audiences a little more regularly in order to keep the timing instincts exercised, not least because he obviously revels in his live audience. I think I would also suggest that he lean a teeny bit more towards throw-away, as opposed to overt, humour. (As I have said a few times on this blog, I get this picky only with the best; and when they are the best why the hell should they pay attention to me anyway?)
I would also get him to insist on a beaker for his water. That bloody bottle drove me insane!