My previous two posts have been from Secularism 2016, a conference held in London last November. I accidentally posted them here out of order. Raheel Raza opened a series of three talks on the necessity to reform Islam, and Douglas Murray concluded it. In between them came a talk from Maajid Nawaz. He has been on this blog twice before, the last time here, and his promise as a speaker is so strong that I was looking forward to seeing his progress.
Having been an Islamic terrorist who landed in jail, but later has devoted his life to fighting extremism, he is an obvious choice to speak at a conference like this.
He has fairly recently begun a regular radio programme on LBC. This was bound to effect his public speaking, though in ways that are not obvious. Radio is different from public speaking because you can’t see your audience. The nerves come from a different direction somehow. On radio you can combat The Hump by scripting your opening, and you thus have to learn how to write in spoken English, a subtly different language from written English. As his programme is a phone-in, he has had to hone his ability to think on his feet, duck and weave, shoot very fluently from the hip and all that will not have done any harm. Let’s see how he does with this speech.
Two immediate impressions strike me…
- He is very nervous at the start and wants his scripted opening. I think he has learnt it because he looks very seldom at his script, and a tiny stumble in it has the feel of a memory-blip not a thought-blip. There are other, better ways of combatting the hump; and he could be made more relaxed.
- He is going too fast. This is a well-known nerve symptom, so it has the double jeopardy of conveying nervousness to the audience. Actually I think in this case it may not be nervousness because he never slows down, even when his nervousness has subsided. Regardless, it is a bad idea. If you have too much material, speaking more quickly doesn’t save time it makes you less coherent. If you are trying to convey urgency in your message there are better ways of doing it. It’s the squeeze on the natural pauses that make it sound wrong.
Having got those two easily-remedied points out of the way, I must say I am delighted with how he is progressing. His mission is so important, and his approach to it so mature, that I would love to spend a couple of hours with him to make him more relaxed on the platform and restructure his material slightly in a way that works better in this particular medium.
If he is interested he can find me easily enough.