At the Global Atheist Convention, in Melbourne Australia, in April 2012, Daniel Dennett was one of the speakers. Having seen Dennett interviewed, and thereby having felt him to be not one of those faintly hysterical tub-thumpers that can so easily ruin one’s digestion, I was eager – my being a devout doubter – to see whether this talk might contain some new thinking. It was entitled How To Tell You’re an Atheist.
I like the opening. I call it ‘outflanking the subject’, and I commend it in my courses and seminars. For nearly 3 minutes he appears to be discussing something completely different, thus distributing a layer of mystery over the proceedings and inducing curiosity in his audience. When he reveals the link between that and the matter in hand the audience shows its pent-up satisfaction with applause – a full 8 seconds of it (8 seconds is Par for spontaneous applause).
We can’t see a lectern, but it seems clear that when he looks down he is being prompted. Though I’d always prefer a speaker to be not at all dependent upon paper, I have to admit he manages it very well. It all comes across as spontaneous. I like the epistrophe (“…noticed this pattern”) at 4.20.
He proceeds to narrate research he has done with preachers who are secret atheists, so I am unsurprised to hear Dan Barker‘s name cropping up. I can feel myself getting nervous lest his arguments are going to go down the same old weary paths.
He gets from the audience a couple of laughs that are just a little too easy. I remind myself that this is a conference about and for atheism, so he is addressing a very sympathetic crowd, but still audiences don’t laugh that readily unless they’re a little nervous – in need of reassurance.
Dennett feels no such concern. On the contrary, those laughs persuade him to play to the gallery. In order to mock some theist argument, he affects a silly voice. That is a mistake: such devices cheapen the image of the speaker not his opposition. If you are going to play silly voices, you need to be better at it than this. Also subtlety would help.
Just after 18:30 he begins getting a little more serious, and moves into discussing the work of The Clergy Project, a support group for priests who have lost their faith. Apart from that neat opening, this is the best part of the talk so far. Furthermore when he gets back to atheism he covers areas that are less puerile than earlier, and this is a relief.
In fact this talk suddenly gets quite worth while for a time, only collapsing in the final minute when he absurdly asserts that a sense of humour is the exclusive preserve of the non-believer. What is true is that while he may be a fine philosopher, as a comedian he … is a fine philosopher.