James Tooley battles bureaucritis

Sometimes, going about your normal life, your attention gets grabbed by a flurry of activity that disturbs the ambient rhythms around you. I’m sure you have experienced such things. It was such for me in the case of James Tooley and his book The Beautiful Tree.

The book describes how Tooley assembled evidence that annihilated the received wisdom, espoused by the clerisy, concerning the provision of education. I am not an educationist but I do study the clerisy. They are a species urgently in need of study. I immediately bought a copy of the book, and reading it persuaded me to go hunting for a speech by Tooley.

This speech appears to have been ‘topped’. It is not unusual. Those who post such videos often edit out messy openings in order to clean up the final product. I study messy openings, so the practice robs me of data, but I commend clean bald ones, so the practice provides me with examples to uphold. This, whether Tooley or the video editors made it, is a lovely bald opening.

At 01:32 there is an interesting incident. Tooley, with that excellent opening, appears to have hump nerves subjected under his heel and by now should be on a roll; yet he gets stuck, searching for the word ‘reconcile’ (and he never finds it). This is a classic nerve symptom, stress having a fiendish ability to diminish our capacity for thinking on our feet. Usually when I see such as this I know immediately what the problem is and what to do about it, yet without speaking with him I am at a loss as to what is going on. There are nerves there which shouldn’t be, not with a speaker as good as this.

And good he is! He has spurned the lectern and is shooting from the hip like a proper speaker. He is not using his few slides as signposts: he proves that when one of them appears out of sequence and he adjusts accordingly. His slides serve him, not the other way around. Using slides as signposts is a cheating trick used by those whose memorised structure is not good enough to stand on its own. His structure is very strong, which is why his message is so coherent. His evident passion for the message reinforces the coherence. He’s doing everything right.

His spurning of the lectern has an amusing byproduct. By stepping to the side he is now standing immediately in front of a reverend father who appears to be chairing the event. Not only is the father now masked, but because he has slightly tinted spectacles and we can’t see his eyes, he seems to be asleep at one point. Then he gives the lie to that by laughing.

The speech is very good, and clearly conveys the message that the world’s poorest – yes, the world’s poorest – are educated privately, not for want of state free schools but because the private schools are better. I invite you to re-read that sentence and let it sink in.

That is heretical to the clerisy. But then the clerisy is infected by an ailment I call bureaucritis. Bureaucritis is a viciously virulent, internationally metastatic, form of tunnel vision. Every proposition Tooley makes they dismiss out of hand, and progressively more aggressively.

Private schools for the very poorest don’t exist: yes they do, I’ve found thousands and here are the data. They’re useless: they out-perform the state schools and here are the data. The teachers aren’t qualified: I refer you to my previous answer. And so it goes on.

If a matter as huge as the world’s education of the poorest can be termed a microcosm, it is a microcosm of many of the social and political ills that afflict the world. Bureaucritic clerisy, sincere and well-meaning – though woefully misguided, are pathologically incapable of thinking outside their tiny box. The clerisy are learned but stupid. The reason is clearly explained by the great Thomas Sowell when he writes that decisions should never be left to those who pay no price for being wrong. The clerisy pay no price for being wrong, because their employment is invariably feather-bedded and their only measure of rightness is whether their bureaucritic peers agree with them.

Great speech. Great message. Admirable man. Important lesson.

Patrick O’Flynn tells the EP

On 3 April in the European Parliament, there was a short speech delivered by Patrick O’Flynn MEP.

Only a couple of weeks ago I received an email from a trainee, a well-known accountant, who did a course with me more than a decade ago. He was telling me with satisfaction that feedback after his speeches nearly always marvelled at how he spoke without notes.

All my trainees can speak without notes.

Readers of this blog will know that I do not consider anyone a proper speaker unless they speak without notes, whether for five minutes or sixty.

You do not even need to see Patrick O’Flynn here to know that – worse than notes – he is actually reading a script. You can hear it clearly in his intonation. Two and a half lousy minutes, and he has to read a script!

It’s a hugely important speech, with a hugely important message that I hope dearly all listeners will heed, yet he robbed it of a frightening amount of its impact by not having learnt how properly to speak in public.

Richard Kemp: exponent of anaphora.

On 18 March, just over two weeks ago, there was a session of the United Nations Human Rights Council whereat the commission sought once again to censure Israel for alleged atrocities.

On these occasions at the UNHRC the only dissenting voice tends to come from UN Watch which, in its own words, “exists to monitor the performance of the United Nations by the yardstick of its own Charter”. All the other voices seem to come from Israel’s Moslem neighbours, countries which have openly asked for Israel’s complete destruction. Membership of the UNHRC consists of countries with the most benign attitude to Human Rights, like Saudi Arabia, Sudan, Egypt, Tunisia, and recently Iran. This last was admitted just days after sentencing Iranian lawyer Nasrin Sotoudeh to a high number of years in prison, and an even higher number of lashes, for defending Iranian women accused of protesting against mandatory headscarves. This gives a flavour of the UNHRC.

The dissenting voice from UN Watch on this occasion came from a retired British soldier, Col. Richard Kemp.

For just over a minute we watch a stream of clips of condemnations of Israel, before Col. Kemp begins at 01:08.

At 01:56 he launches into anaphora (“I accuse this commission…”) lasting till 2:47 and containing five elements of repetition. It is a copybook example of the power of this sort of rhetorical figure of speech.

Notwithstanding the above, you may not consider a pronouncement lasting just a few seconds more than two minutes, read from a script and delivered seated, as being a proper speech. I might agree, which is why I also give you another speech made by Col. Kemp to a crowd just outside the same building.

Charlie Kirk and obscure words

On February 28 at the 2019 Conservative Political Action Conference (CPAC) at Gaylord National Resort & Convention Center in Maryland, there were speeches from some notable American Conservatives, including the President. One was by Charlie Kirk, Founder and Executive Director of Turning Point USA.

Another organisation has, in the past few days, declared Turning Point to be extremist. Knowing a little of that other organisation that could be regarded as a badge of honour, and I am interested to learn what Kirk has to say.

I wish he weren’t carrying that sheaf of paper when he enters. He barely looks at it through the speech so he doesn’t need it. If he had entered empty handed it would have done wonders for his initial impact.

The opening minute is a little messy, which is not unusual among those who have yet to learn the secret, but at 01:13 he’s into the driving seat. The opening salvo concerns how the left is unable to debate, having no case to argue, so expends all its energies in cancelling debates and no-platforming people. That is why students are politically crippled.

Though he may not know the words (why should he?) he loves anaphora, epistrophe, and symploce (you might want to have my Glossary page ready); and he uses them very powerfully.

At 02:58 he launches into epistrophe – “…you do not mean well” – which morphs into symploce – “If you wanna … you do not mean well”. It goes on and on, powered by a steady auxesis and culminates in ecstatic applause. Another epistrophe-cum-symploce begins at 05:17. A huge anaphora appears at 06:35, with a massive nine elements. Another anaphora kicks off at 07:56, though with just a paltry four elements. At 10:54 his peroration begins with a three-element anaphora.

When someone like me analyses a speech down to a bunch of obscure rhetorical terms, you might expect that speech to be talking-by-numbers and therefore dull. But Cicero and other ancients only coined these terms because they swayed audiences. Kirk’s audience is in the palm of his proverbial.

The boy’s not bad.

Nimco Ali – professional

It was in The Eden Project, in Cornwall in England in June 2018, that today’s speech was delivered as part of a 5 x 15 session. These sessions consist of five speakers speaking for fifteen minutes each.

Nimco Ali, co-founder of Daughters of Eve, campaigns tirelessly against FGM.

I am immediately impressed before I watch any of her speaking that, although an introduction is included, the video is just a smidgeon over 14 minutes in length. It is shamefully unusual for speakers at any event to finish so comfortably within their allotted time.

The YouTube posting does not tell us who does the introduction. Whoever it is has presence, is personable, but is strangely uncomfortable with the role. Barely a minute to speak, but reads it all, stumbles over it, and has lousy microphone technique. I feel sorry for her because she is clearly not at ease when she could so easily be.

Ali on the other hand shows herself supremely comfortable in front of an audience. She’s the type of speaker that shoots from the hip and relaxes the audience immediately, partly from her confident demeanour, and partly through meeting her subject head-on. “All I do is talk about vaginas.”

She tells us she is a survivor of FGM, but strengthens her ethos immeasurably by her apparent insouciance towards her experience. She displays no simpering victimhood, describing the operation as “stupid” and “weird”, while several faces in her audience register horror. That’s very effective, casting her as admirably objective.

Most importantly she speaks with her audience, addressing them almost as if across a coffee table. It’s a style of speaking that comes from the right mindset and it works. I am not in the least surprised by her success at getting politicians to listen, “I got David Cameron to say the word, clitoris. I also got £36m out of him to fund an African campaign.”

I will finish as I started on this speech. Along with everything I’ve said about her speaking ability she has speaking discipline. Her allotted time was 15 minutes. After her introduction she began at 01:24, she grabbed her audience, told them what she wanted them to hear, even getting a few laughs out of them, stopped, concluded with a 2-minute video and the whole thing lasted 14:02 minutes. That’s a level of professionalism that you seldom get even from professionals.

Tony Benn: Democrat

I seldom agreed with Tony Benn‘s politics, but was always conscious that his views – however misguided I might find them – stemmed from his passion for democracy.

He died before the EU Referendum took place, but more than a year after David Cameron promised to hold one.

Here he is talking about it.

Can you imagine what he would have to say about the current parliamentary machinations to betray the largest democratic mandate in this country’s history?

Harold Pinter (1930 – 2008)

In 2005 the late playwright, Harold Pinter, was awarded the Nobel Prize for Literature.

Being too ill with oesophageal cancer to make the journey to the awards ceremony in Stockholm, and in lieu of the acceptance speech that would involve, he recorded the following piece to camera.

The title of his address is Art, Truth & Politics.

It doesn’t surprise me that he is using autocue. This was fourteen years ago, when speaking without notes was even more of a rarity that it is now.  It surprises me even less after he has explained how he writes. No one to whom producing words is so exacting and painful willingly speaks spontaneously.

For example at 02:10 he begins an epistrophe of such weight as to be tinged with purple. Passages like that are never spontaneous.

It isn’t unusual for authors to protest that their invented characters develop minds of their own, but Pinter takes this claim much further. He tells us almost that his creations invade his consciousness unbidden, and I fight the urge to write him off as pretentious beyond sufferance. I am stayed by the memory of a friend, a BBC drama director, assuring me almost 50 years ago that posterity would celebrate Pinter as the finest dramatist of his age. Today, though he undoubtedly still has his admirers, Pinter productions don’t exactly abound; nevertheless there should be plenty of posterity still to come.

The opening segment, with Art occupying centre stage, always has Truth flitting around the edges as a bit player but he brings Truth in general – and Truth in Politics in particular – to the fore at 09:45, segueing from The Birthday Party to Abu Ghraib

Thus begins a furious half-hour diatribe against George W Bush and US aggression, with Tony Blair and Britain cast as the obedient poodle. He is angry!

Eventually, at 43:15 he returns to the matter for which he earned his Nobel Prize – his literature. He recites his own poem, Death.

Requiescat in pace